Director: Suseendran It is customary to show the demonic activities of villainous groups, so that by the time we loathe them, we not only feel comfortable when the hero stands in front of them; we think it is justifiable to admonish them. 'Nan Mahan Alla' would have had that thread when it was cultivated in the heart of the director. But tamil cinema having ripped that formula and pinched it in to the blood of every moviegoer, novelty is a must; especially if you are back after delivering a quality product like ‘Vennila Kabadi Kuzhu’. What better way to entice the audience, than spell binding them with the audacity of the illicit activities that the gang carries out; more importantly the sheer depth in details of them. But in doing that, Suseendran creates a film which meanders through the life of the hero half heartedly only to heighten the power of the antagonist. Half heartedly because, while even a phone call that one of the antagonist casually makes in the prologue aid t
A Film sometimes speaks for itself and sometimes becomes a chameleon adapting to the questions you pose at it.