Harish Film views

Director: K.V. Anand When one ought to communicate through paper, he/she sometimes scribble few words (knowing that will make the point) or write in detail or go for pictorial representation. It is left to the discretion of the writer as to which form he/she should use given the content. Problem starts when the writer giving it all, tells the reader to filter what he/she wants to take: if you want photos – here they are, if you want hints – here they are, if you want long drawn explanations – here they are. Well, won’t that be a hindrance, you might ask. Given the premise of journalism in the film KO, it is but natural for a journalist to analyze a point in every possible angle. But just because the journalist invested a lot of time in analyzing the various aspects of a single point should he/she publish it all? Won’t it hamper the flow and affect the scheme on the whole – just like how ‘he/she’ acts as a speed breaker as you read through this article. You can’t question the logic ...

Director: K.V.Anand Cast: Suriya, Prabhu Take a story which deals about smart smuggling, but this has to reach the masses so cast the hottest stars in the town and make them prance in glamorous outfits, do breath-taking stunts, add sentiments and finally flavour it with bawdy comedy which borders chauvinism; but then the script is about smart smuggling, so lets add science say chemistry facts in to it; for this to be believed the hero has to be educated so lets make him do MSc. Comp. sci., but isn’t he a smuggler? Then let’s make him do distant education. Will the audience accept this? Then for their sake, let’s make him speak madras slang in two scenes and peter english in another two scenes. The screenplay has to be tight- then let the audience think that the bad guy out smart our hero every half an hour and at the end of those scenes by flash back technique we show who is the smartest. Isn’t this script heavy for the audience? Then let’s add a revenge angle to the story line by k...