Direction: Shankar People say an open mind and zero knowledge about a film will work wonders in terms of the viewing experience. It is in the blank mind where the director’s vision can be completely witnessed. But it is a dangerous path; a double edged knife for the so called masala capers that are produced everywhere. They try to travel on many shoes owing to the need for a wider reach and end up falling flat. Endhiran suffers a lot because of the overloaded plate. It tries to be a triangular love story, a revenge saga, a sci-fi film, a moralistic tale and lot more. It sure does put up a dream show with all these metallic decorations (literally too) after the arrival of Chitti to Sana's home. Shankar sketches the 'larger than life image' of Rajini in this portion in ways that give goosebumps to any tamizhian. Not stopping there, with the help of the unemotional Chitti, transforms him to the almighty without any fuss. The scale then shoots higher, proportional to the ...
A Film sometimes speaks for itself and sometimes becomes a chameleon adapting to the questions you pose at it.