Harish Film views

Director Vishnuvardhan could take a lesson or two from Director Siva (who has made the recent Veeram) on how to showcase the charisma surrounding Ajith. While Vishnuvardhan in his two films with Ajith was only able to exhibit the style quotient of the star, Siva here pulls of a spectacular show surrounding the magnetic personality of the star. In ground reality, it is very difficult to weave a mass entertainer depending only on Ajith. Beyond his handsomeness, unlike his contemporaries, Ajith doesn't have a convincing physique to pull of an action hero. When he punches bad guys, more than the wobble in their abdomens, the wiggle in the triceps, biceps and even the paunch of Ajith is more pronounced. The sluggish movements in the action sequences extends to the dance numbers as well. The only area that attracts attention is his elan to breeze through the anti-hero roles that he has been enacting off-late. Yet, the larger than life type films he chose haven't allowed the...

Director: Atlee Formulaic films have always been the safe-bet for our filmmakers ensuring a breather for struggling stars and gateway for new entrants. Is it mainly because of the abundance of successful reference material to source from for formulaic masala film, or because of the difficulty to create formulaic structures in other genres, anything done besides action or comedy in films have always been termed novel attempt. While many feel-good films have attempted to serve a commercial potboiler, only few were able to please the audience, of which Cinematographer turned Director Jeeva’s films contributed a lot. After a long lull created by his demise, debutante Atlee, with his rom-com Raja Rani, has successfully filled the gap. Adding himself to the list of new age filmmakers with great taste for visuals, Atlee creates pitch perfect backdrop for the film’s riches and lower-middle class portions. Moving further in, besides fleetingly touching the sensibilities of the well-o...

In a scene in OK OK, the latest blockbuster from Rajesh & Santhanam combo, the heroine driven by the insults that her ex showers her with throughout the film, calls upon him to a restaurant where she is going to meet a guy fixed by her parents. But the guy turns out to be an even worse douche bag who pounces at every chance to insult her for her overweight. As expected, she tears him apart only to be mocked again by her ex for her pathetic state. It isn’t a one off scene. In another scene later in the film, the hero along with his guy-soul mate trashes her beyond any permissible limit inside an airplane where she is an airhostess. Am not going to lie here that I didn’t laugh for few of the gags they pulled off. But while I was squirming in my seats seeing how the girl was treated by her ex, all in the name of humour, I was feeling that the other douche bag was way better. At least he had the guts to call a stick a stick (read log), instead of sneaking in insults after insult...