As the powerful role of Zoya (Ishaqzaade) is becoming the talk of the town, a brief analogy between Zoya & Muthazhagu (Paruthiveeran). Ishaqzaade is probably the most women centric film to have come out from the commercial stable. Similar to how people associate good cinematography with flashy - oscillating shots that stands outside of the film rather than be integrated to it, women centric roles are recognized only when the protagonist bring about violence is screen. Muthazhagu (in Paruthiveeran) was recognized as a great women centric role not because that the character stood up to Paruthi in the aftermath of the interval block, but for the climactic battle & the vehement tenaciousness it portrayed to signify the love for Paruthi in the confrontation scene between Muthazhagu & her parents. Yet here is a film (and a role) which doesn’t go over the top to emphasize the stubbornness of Zoya. Baring the opening block that acts merely as a gimmick, Zoya lik...
A Film sometimes speaks for itself and sometimes becomes a chameleon adapting to the questions you pose at it.