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Maalai Pozhudhin Mayakathilaey



Director: Narayan Nagendra Rao

In the very beginning of the movie, an aspiring filmmaker gets money from a big-shot under one condition that he makes his aide (an old hefty guy) the hero of the film. Rejecting the offer, the protagonist comes to a coffee shop from where the story kicks off. At the end of the 2 hours long movie, I felt, with great potential to be the decade’s best unintentional comedy, had the film-maker went on to make the film with that aide, the director of Maali Pozhuthin Mayakathile would have spared us from the insipid tale of romance. For a film that is set in CCD where one would at least expect a cappuccino, the director takes a bean that is neither roasted nor dried out, brews it with rain water that floods the screen and serves with a teaspoon of salt.

Sometimes we make few decisions based on certain information. Many a times, they backfire; one such being my decision to watch Maalai Pozhudin Mayakathiley. I could go on blotting this page with negativity about the movie but I didn’t choose this film to do precisely that. There were concrete reasons that drew me to the silver screen. The symphony of the scintillating tracks by Achu & textbook beauty shoots of Gopi that looked glamorous in the teasers did appease the peeved mind. Though they occupy 1/4th of the time space, song sequences alone can never make a poorly made film tolerable.


Maalai Pozhudin Mayakathiley is another example that unique concept alone can never carry a film to the podium; in this case not even to the cafeteria of the stadium.


This review was written for Wogma

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